LOOKING INTO THE EYE OF THE DEVIL

EYE OF THE DEVIL (1966 aka 13) opens with an imaginative minute-long montage that reduces the entire film down to a series of disorientating images. It’s an impressive and beautifully edited beginning that you might expect to see at the start of an Ingmar Bergman film or in the middle of an Eisenstein picture and it … Continue reading LOOKING INTO THE EYE OF THE DEVIL

Celebrate LGBT+ Pride Month with Cinema

This an update to my original LGBT+ Pride Month post first published in 2015 that you can find here. As a film journalist, I have often tried to focus my attention on underappreciated films, unsung actors and lesser-known directors. Unsurprisingly, this has led me to write about a number of LGBT+ films and television programs … Continue reading Celebrate LGBT+ Pride Month with Cinema

VINCENT PRICE & GENE TIERNEY: A DOOMED ROMANCE

This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Throughout the course of Vincent Price’s long career, he worked with some of my favorite actresses such as Barbara Steele, Diana Rigg, Jennifer Jones and Linda Hayden. But if I had to single out Price’s most important … Continue reading VINCENT PRICE & GENE TIERNEY: A DOOMED ROMANCE

SPY GAMES: Frank Tashlin & Doris Day Go Undercover

In the late 1960s Doris Day starred in two spy spoofs directed by Frank Tashlin; THE GLASS BOTTOM BOAT(1967) and CAPRICE (1968). At the time Day was 43-years-old and one of Hollywood’s biggest stars but her career was in sharp decline. Critics seemed to relish taking potshots at the movies she appeared in while launching full-blown attacks on … Continue reading SPY GAMES: Frank Tashlin & Doris Day Go Undercover

BARBIE GOES HOLLYWOOD

I have a confession to make. I like dolls. A lot. I’ve been a casual collector for many years and I’ve also written about dolls for a few publications. I usually keep my fascination with classic films and dolls separate but it’s not easy trying to compartmentalize your interests. The film fans I’ve met often … Continue reading BARBIE GOES HOLLYWOOD

TELEFILM TIME MACHINE: HOME FOR THE HOLIDAYS (1972)

Eleanor Parker in 1972 The holidays can be a very difficult time for some. I know from firsthand experience that when you don’t have any family to rely on or any kind of financial security to speak of Christmas can feel like a national nightmare inhabited by drunken revelers, crazed shoppers, and merciless merchants. This … Continue reading TELEFILM TIME MACHINE: HOME FOR THE HOLIDAYS (1972)

Geneviève Bujold is ISABEL (1968)

Paul Almond’s ISABEL (1968) begins with a train journey across a snow-covered landscape. We watch as the film’s star, Geneviève Bujold, sits awkwardly in her seat and squirms uncomfortably in front of the camera’s unrelenting eye. She is biding her time by shuffling through a small stack of books and papers in an effort to fend off … Continue reading Geneviève Bujold is ISABEL (1968)

CREATIVE COLLABORATION: JANE B. PAR AGNÈS V. (1988)

When Jane Birkin (Blow-Up [1966], Wonderwall [1968], La Piscine [1968], Don Juan (or If Don Juan Were a Woman) [1973], Je t’aime moi non plus [1976], Death on the Nile [1978], La Belle Noiseuse [1991])) was getting ready to celebrate her 40th birthday in 1986 she confessed to filmmaker Agnès Varda, that she had reservations about growing older. Varda, who was almost 60-years-old at the time, told Birkin … Continue reading CREATIVE COLLABORATION: JANE B. PAR AGNÈS V. (1988)

HOLLYWOOD’S FIRST WOMAN OF PHOTOGRAPHY: RUTH HARRIET LOUISE

You might not be familiar with her name but you’re probably familiar with her work. Ruth Harriet Louise’s glamorous photos of classic movie stars have graced countless magazines and book covers. Her photos helped launch the careers of many beloved actors and they offered fans an intimate look at some of Hollywood’s most celebrated icons. … Continue reading HOLLYWOOD’S FIRST WOMAN OF PHOTOGRAPHY: RUTH HARRIET LOUISE

COURAGE CONQUERS DEATH IN CHRISTOPHER STRONG

I can still recall the first time that I saw Dorothy Arzner’s Christopher Strong (1933). I was just a teenager flipping channels one lazy afternoon and suddenly the opening credits appeared on my television. I noticed Colin Clive’s name so I paused. I was familiar with the actor thanks to his role as Doctor Frankenstein and I … Continue reading COURAGE CONQUERS DEATH IN CHRISTOPHER STRONG