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A Friendly Public Health Reminder…
Another Friendly Public Health Reminder . . .
THE GHOST OF CHRISTMAS YET TO COME
I have a soft spot for just about every film version of A Christmas Carol. This is partially due to the fact that one of my first and last acting roles was in a stage adaptation of Charles Dickens’ timeless tale mounted by my elementary school where I got the opportunity to play the spooky silent specter of the Ghost of Christmas Yet to Come. … Continue reading THE GHOST OF CHRISTMAS YET TO COME
Spies Among Us: ANOTHER COUNTRY (1984)
“And there’s another country, I’ve heard of long ago, Most dear to them that love her, most great to them that know; We may not count her armies, we may not see her King; Her fortress is a faithful heart, her pride is suffering; And soul by soul and silently her shining bounds increase, And her ways are ways of gentleness, and all her paths … Continue reading Spies Among Us: ANOTHER COUNTRY (1984)
NIPPON NOIR: I AM WAITING (1957)
In recent years I’ve seen a critical push to apply familiar terms like Film Noir to all manner of Japanese crime films made during the 1950s and 1960s. The term has even been applied to the culturally specific Sun Tribe films (please see my previous post that discusses Sun Tribe films) as well as Pink Films of an adult nature and the more experimental and … Continue reading NIPPON NOIR: I AM WAITING (1957)
Everyone’s Gone Crazy: VIOLENT COP (1989)
“Beat” Takeshi Kitano has been making headlines recently. Late last year the 70-year-old Japanese filmmaker, actor, author and entertainer was awarded France’s coveted Legion of Honor for his contribution to contemporary arts while film retrospectives in New York and Rio de Janeiro, along with a spate of fresh Blu-ray releases from Film Movement and Third Window Films, have spawned renewed interest in his work. Kitano … Continue reading Everyone’s Gone Crazy: VIOLENT COP (1989)
THE ART OF BOLLYWOOD
In recent years the exciting world of Bollywood cinema has been slowly gaining the interest and admiration of western audiences. The popularity of Danny Boyle’s Oscar winning film SLUMDOG MILLIONAIRE (2008) along with the rising interest in Indian actors like Naveen Andrews (LOST, BRIDE & PREJUDICE, THE ENGLISH PATIENT, BOMBAY BOYS, etc.) seems to have gained Bollywood movies a larger American audience that is willing to put aside cultural differences … Continue reading THE ART OF BOLLYWOOD
GUN AND SWORD: AN ENCYCLOPEDIA OF JAPANESE GANGSTER FILMS 1955-1980
I first became familiar with Chris D.’s (Dejardins) writing in the early 1990s thanks to his work for a small-press magazine (or zine) called Asian Trash Cinema. At the time I was utterly obsessed with Japanese pop culture and history and for a 10 year period roughly between 1991-2001 I spent many of my weekends in San Francisco’s Japantown where I’d rent movies and anime … Continue reading GUN AND SWORD: AN ENCYCLOPEDIA OF JAPANESE GANGSTER FILMS 1955-1980
ART MEETS ARTIFICE IN SHOHEI IMAMURA’S A MAN VANISHES (1967)
“All the world’s a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts.” – William Shakespeare (from As you Like It) “I’d like to destroy this premise that cinema is fiction.” – Shohei Imamura The fuzzy line that separates fiction from reality has become increasingly blurred in recent years. Reality … Continue reading ART MEETS ARTIFICE IN SHOHEI IMAMURA’S A MAN VANISHES (1967)
“Just Shut Up and Watch!” – Remembering Seijun Suzuki (1923-2017)
On February 13, 2017 we lost Seijun Suzuki. The Japanese director, screenwriter, actor and producer was 93-years-old at the time of his death and a titan in my own cinematic universe but I haven’t had the opportunity to properly mourn his passing. Today (May 24th) marks what would have been his 94th birthday so I thought I would devote some time to discussing the life … Continue reading “Just Shut Up and Watch!” – Remembering Seijun Suzuki (1923-2017)
CINEBEATS 
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