Discussing THE DEVILS (1971) with Kevin Flanagan

Kevin M. Flanagan received his Ph.D. from the University of Pittsburgh in 2015 in English/Film studies (his dissertation: The British War Film, 1939-1980: Culture, History, and, Genre). A book based on this project is under contract with Palgrave (part of the Britain and the World series). Flanagan is also the editor of 2009’s Ken Russell: Re-Viewing England’s Last …

The Doors Are Always Open at The Phantom Playhouse

A gentle reminder that The Phantom Playhouse - Cinebeats' sister site focused on horror cinema - is open for business and the tickets are always free. Its been updated recently and collects articles or links to all of my horror focused writing. If you know me you know that horror is my favorite film genre …

It’s Lovecraft Season!

Like many horror aficionados, I enjoy reading horror fiction as well as watching horror movies. And as summer makes way for autumn I’ve been indulging in a bit of both. Much like my fellow Morlock Richard Harland Smith, I eagerly await this time of year. It gives me an excuse to spend my free time focused …

MISTRESS OF MENACE: BARBARA STEELE IN THE PIT AND THE PENDULUM (1961)

  “There was a depth to her. On the surface she was a beautiful brunette woman. Beneath that–and you could almost get poetic here looking into her eyes–you could see layer, upon layer, upon layer. I could probably best, and inadequately, describe it as a kind of exotic mystery.” – Roger Corman on Barbara Steele …

10 Fun Facts About THE THING FROM ANOTHER WORLD (1952)

THE THING FROM ANOTHER WORLD (’52) is available to stream on FilmStruck until October and if you haven’t seen this science fiction classic it’s a terrific opportunity to get caught up with one of the most acclaimed genre films released during the 1950s. If you have already seen it, you’ll find that it’s a great …

Introducing Laurence Harvey: House of Darkness (1948)

A few weeks ago I wrote about Anthony Mann’s last film (A Dandy in Aspic) featuring Laurence Harvey in one of his best roles. At the time I expressed how much I liked Harvey even though many critics are quick to dismiss him. His reputation has been badly tarnished over the years thanks to shoddy …

LOOKING INTO THE EYE OF THE DEVIL

EYE OF THE DEVIL (1966 aka 13) opens with an imaginative minute-long montage that reduces the entire film down to a series of disorientating images. It’s an impressive and beautifully edited beginning that you might expect to see at the start of an Ingmar Bergman film or in the middle of an Eisenstein picture and it …

THE HOUSE THAT SCREAMED… “MURDER!”

Narciso Ibáñez Serrador’s THE HOUSE THAT SCREAMED (1969) is often cited as one of Spain’s most important and influential horror films but its audience is typically restricted to genre fanatics. The highly sexualized content and graphic murders depicted in this gothic thriller limit its appeal. But the commercial success of THE HOUSE THAT SCREAMED during the late 1960s …

VINCENT PRICE & GENE TIERNEY: A DOOMED ROMANCE

This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Throughout the course of Vincent Price’s long career, he worked with some of my favorite actresses such as Barbara Steele, Diana Rigg, Jennifer Jones and Linda Hayden. But if I had to single out Price’s most important …

ROGER CORMAN & VINCENT PRICE: THE GROOVY GRUESOME TWOSOME

This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Vincent Price will be headlining TCM’s terrific Halloween line-up tonight, which kicks off at 5PM PST/8PM EST with THE PIT AND THE PENDULUM (1961) followed by THE HAUNTED PALACE (1963), THE MASQUE OF THE RED DEATH (1964), THE ABOMINABLE DR. PHIBES (1971), TWICE TOLD TALES(1963), THE TOMB …

ANIMAL PASSIONS: CAT PEOPLE (1942)

But black sin hath betrayed to endless night My worlds both parts, and both parts must die. - John Donne, Holy Sonnet V (as quoted in Cat People) This year marks the 75th anniversary of Cat People (1942). It is hailed as one of the most influential horror movies made during the 1940s and thanks to its vaunted reputation among film …

TELEFILM TIME MACHINE: HOME FOR THE HOLIDAYS (1972)

Eleanor Parker in 1972 The holidays can be a very difficult time for some. I know from firsthand experience that when you don’t have any family to rely on or any kind of financial security to speak of Christmas can feel like a national nightmare inhabited by drunken revelers, crazed shoppers, and merciless merchants. This …

Geneviève Bujold is ISABEL (1968)

Paul Almond’s ISABEL (1968) begins with a train journey across a snow-covered landscape. We watch as the film’s star, Geneviève Bujold, sits awkwardly in her seat and squirms uncomfortably in front of the camera’s unrelenting eye. She is biding her time by shuffling through a small stack of books and papers in an effort to fend off …

IN SPACE NO ONE CAN HEAR YOU SCREAM

For decades screaming was often the weapon of choice for women in action, science fiction, and horror films. We were expected to shriek, shout, yelp, whimper, squeal and squawk in the face of serious danger and (hopefully) a man would eventually come to our aide. So you can imagine how frightened I was when I …

Folk Horror & Filmmaking: An Interview with Sean Garland

I recently got the opportunity to ask director Sean Garland (BANSHEE BLACKTOP, AN IRISH GHOST STORY [2016] and NOKOTAHEART [2011]) a few questions about his filmmaking career. He also generously shares some Halloween streaming recommendations for FilmStruck subscribers that should appeal to discerning horror enthusiasts. FILMSTRUCK (KIMBERLY LINDBERGS): Could you tell readers a little bit about …