THE HOUSE THAT SCREAMED… “MURDER!”

Narciso Ibáñez Serrador’s THE HOUSE THAT SCREAMED (1969) is often cited as one of Spain’s most important and influential horror films but its audience is typically restricted to genre fanatics. The highly sexualized content and graphic murders depicted in this gothic thriller limit its appeal. But the commercial success of THE HOUSE THAT SCREAMED during the late 1960s …

VINCENT PRICE & GENE TIERNEY: A DOOMED ROMANCE

This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Throughout the course of Vincent Price’s long career, he worked with some of my favorite actresses such as Barbara Steele, Diana Rigg, Jennifer Jones and Linda Hayden. But if I had to single out Price’s most important …

ROGER CORMAN & VINCENT PRICE: THE GROOVY GRUESOME TWOSOME

This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Vincent Price will be headlining TCM’s terrific Halloween line-up tonight, which kicks off at 5PM PST/8PM EST with THE PIT AND THE PENDULUM (1961) followed by THE HAUNTED PALACE (1963), THE MASQUE OF THE RED DEATH (1964), THE ABOMINABLE DR. PHIBES (1971), TWICE TOLD TALES(1963), THE TOMB …

ANIMAL PASSIONS: CAT PEOPLE (1942)

But black sin hath betrayed to endless night My worlds both parts, and both parts must die. - John Donne, Holy Sonnet V (as quoted in Cat People) This year marks the 75th anniversary of Cat People (1942). It is hailed as one of the most influential horror movies made during the 1940s and thanks to its vaunted reputation among film …

TELEFILM TIME MACHINE: HOME FOR THE HOLIDAYS (1972)

Eleanor Parker in 1972 The holidays can be a very difficult time for some. I know from firsthand experience that when you don’t have any family to rely on or any kind of financial security to speak of Christmas can feel like a national nightmare inhabited by drunken revelers, crazed shoppers, and merciless merchants. This …

Geneviève Bujold is ISABEL (1968)

Paul Almond’s ISABEL (1968) begins with a train journey across a snow-covered landscape. We watch as the film’s star, Geneviève Bujold, sits awkwardly in her seat and squirms uncomfortably in front of the camera’s unrelenting eye. She is biding her time by shuffling through a small stack of books and papers in an effort to fend off …

IN SPACE NO ONE CAN HEAR YOU SCREAM

For decades screaming was often the weapon of choice for women in action, science fiction, and horror films. We were expected to shriek, shout, yelp, whimper, squeal and squawk in the face of serious danger and (hopefully) a man would eventually come to our aide. So you can imagine how frightened I was when I …

Folk Horror & Filmmaking: An Interview with Sean Garland

I recently got the opportunity to ask director Sean Garland (BANSHEE BLACKTOP, AN IRISH GHOST STORY [2016] and NOKOTAHEART [2011]) a few questions about his filmmaking career. He also generously shares some Halloween streaming recommendations for FilmStruck subscribers that should appeal to discerning horror enthusiasts. FILMSTRUCK (KIMBERLY LINDBERGS): Could you tell readers a little bit about …

Six Irish Tales of Terror & Imagination

Many of my favorite horror and fantasy books are short story collections or compact novelettes. Some excellent examples of this include Irish author Sheridan Le Fanu’s In a Glass Darkly, which contains his chilling vampire tale Carmilla among other fright-filled stories, or Oscar Wilde’s classic The Picture of Dorian Gray that runs a mere 175 pages (give or take a …

Orson Welles’s Irish Ghost Story

I love a good ghost story and some of the best ones ever written have come from the hearts and minds of Irish authors but very few of them have been adapted for the screen. Horror movies set in Ireland that feature an Irish cast are a rare commodity, which makes RETURN TO GLENNASCAUL (1953) all the …

Fear of Flowers: Under the Blossoming Cherry Tree (1975)

“Without people, a forest of cherries in full bloom is not pretty, just something to be afraid of.” - Ango Sakaguchi Although typically described as a horror film, Under the Blossoming Cherry Trees (1975) defies simple categorization. This grisly adult fairy tale, currently streaming on FilmStruck, is a strange amalgam of traditional Japanese theater, folktales, ghost stories, social …

THE LIVING AND THE DEAD: L’ECLISSE (1962)

While recently rewatching Michelangelo Antonioni’s L’Eclisse (aka The Eclipse, 1962) I received the sad news that George Romero had died. The celebrated Italian art-house auteur and the American director behind the hugely popular Living Dead franchise aren’t typically associated with one another but I suspect that Antonioni’s work may have inspired Romero early in his career. In The Cinema of George …