“This world is the nurse of all we know, This world is the mother of all we feel, And the coming of death is a fearful blow To a brain unencompass’d by nerves of steel: When all that we know, or feel, or see, Shall pass like an unreal mystery.” – Percy Shelley, ‘On Death’ (1816) I was deeply saddened to learn that my favorite … Continue reading Remembering Barbara Shelley 1932-2020
Susan Denberg (aka Dietlinde Ortrun Zechner) was blond, beautiful, and unapologetically curvaceous. A German-Austrian Kim Novak look-alike with strong sex appeal and an endearing screen presence. Like Novak, Denberg dated Sammy Davis Jr. while some of her other romantic conquests included Stuart Whitman, Sidney Poitier, Charles Bronson, Jim Brown, and director Roman Polanski. Following a few television appearances and a role in the Oscar-nominated film AN … Continue reading FRANKENSTEIN CREATED SUSAN DENBERG
Hammer Films produced four Mummy movies between 1959 and 1971 and one of my favorites is Seth Holt’s BLOOD FROM THE MUMMY’S TOMB (1971). This unabashedly sexy horror extravaganza was the last Mummy movie made by the Studio that Dripped Blood and thanks to a great cast and some creative directing choices it turned out to be one of their best. But before it reached the screen the production … Continue reading MUMMY DEAREST: BLOOD FROM THE MUMMY’S TOMB (1971)
Nothing But the Night (1972) opens with a series of puzzling homicides. Each one is meant to look like an accident or suicide but in the tradition of Italian giallo thrillers, the murders are carried out by a mysterious black-gloved assailant. We soon learn that the victims were all elderly members of the private and highly elite Van Traylen Trust, an ominous institution that runs … Continue reading PARANORMAL POLICE PROCEDURAL: NOTHING BUT THE NIGHT (1972)
Few things invoke autumn and the Halloween spirit in me as strongly as the stylized gothic horror films made by Hammer. The diversity and sheer volume of the studio’s output was impressive and this has occasionally led to some of their lesser-seen films being overlooked because they didn’t live up to critic’s expectations or they followed a less conventional path than many horror fans had … Continue reading “Nothing can eat your soul!” – THE WITCHES (1966)
Today should have been Oliver Reed’s 80th birthday but he left this world in 1999 at age 61. To celebrate the occasion I decided to compile a collection of links to various things I’ve written about the man and his work. Some are just bits and bobs while others are more thoughtful considerations of films he appeared in. Reed has been a constant figure of … Continue reading Remembering Oliver Reed
It’s that time again. Time to collect & share links to the writing I’ve published on TCM’s Movie Morlocks blog in the past few months. In September I spent a lot of time obsessing over TCM Star of the Month Susan Hayward. I reference her in at least three of the pieces I wrote that month and I refer to her again in my first … Continue reading Sept. & Oct. at The Movie Morlocks
I can’t let Halloween pass without talking about a Hammer film. They go hand-to-hand in my home and one of my favorites is Terence Fisher’s The Curse of the Werewolf (1961). The film features some sumptuous color photography, incredibly sophisticated make-up effects for its time and a powerful central performance from Oliver Reed. It also happens to contain many references to wine. The Curse of the Werewolf begins … Continue reading WINE & WOLVES: THE CURSE OF THE WEREWOLF (1961)
I’m afraid I’ve been neglecting Cinebeats again but I’ve been busy with various personal projects and obligations. I’ve also recently started writing for Publishers Weekly but I thought I’d finally update with some highlights from TCM’s Movie Morlocks. Here’s some of the more interesting (in my estimation) film related writing & entertaining babble I’ve produced in the last 6 months. You might notice that the … Continue reading 6 Months of Film Writing
Links to my December 2014 posts at the TCM’s Movie Morlocks: Holiday Greetings from The Ghost of Christmas Yet To Come! Excerpt: “Dickens’ novella was first conceived as a political pamphlet designed to arouse the public’s compassion for the plight of the poor but to his credit, the writer realized his strength was in storytelling so instead of hammering out a straightforward screed against social … Continue reading December at the Movie Morlocks
