LOOKING INTO THE EYE OF THE DEVIL

EYE OF THE DEVIL (1966 aka 13) opens with an imaginative minute-long montage that reduces the entire film down to a series of disorientating images. It’s an impressive and beautifully edited beginning that you might expect to see at the start of an Ingmar Bergman film or in the middle of an Eisenstein picture and it … Continue reading LOOKING INTO THE EYE OF THE DEVIL

IN SPACE NO ONE CAN HEAR YOU SCREAM

For decades screaming was often the weapon of choice for women in action, science fiction, and horror films. We were expected to shriek, shout, yelp, whimper, squeal and squawk in the face of serious danger and (hopefully) a man would eventually come to our aide. So you can imagine how frightened I was when I … Continue reading IN SPACE NO ONE CAN HEAR YOU SCREAM

Folk Horror & Filmmaking: An Interview with Sean Garland

I recently got the opportunity to ask director Sean Garland (BANSHEE BLACKTOP, AN IRISH GHOST STORY [2016] and NOKOTAHEART [2011]) a few questions about his filmmaking career. He also generously shares some Halloween streaming recommendations for FilmStruck subscribers that should appeal to discerning horror enthusiasts. FILMSTRUCK (KIMBERLY LINDBERGS): Could you tell readers a little bit about … Continue reading Folk Horror & Filmmaking: An Interview with Sean Garland

Six Irish Tales of Terror & Imagination

Many of my favorite horror and fantasy books are short story collections or compact novelettes. Some excellent examples of this include Irish author Sheridan Le Fanu’s In a Glass Darkly, which contains his chilling vampire tale Carmilla among other fright-filled stories, or Oscar Wilde’s classic The Picture of Dorian Gray that runs a mere 175 pages (give or take a … Continue reading Six Irish Tales of Terror & Imagination

Orson Welles’s Irish Ghost Story

I love a good ghost story and some of the best ones ever written have come from the hearts and minds of Irish authors but very few of them have been adapted for the screen. Horror movies set in Ireland that feature an Irish cast are a rare commodity, which makes RETURN TO GLENNASCAUL (1953) all the … Continue reading Orson Welles’s Irish Ghost Story

A FEW FUN FACTS ABOUT MICHAEL CAINE

Who doesn’t like Michael Caine? It’s hard to imagine that there are any film fanatics alive who don’t appreciate at least one or two of the 123 films that he’s appeared in. I happen to love the bespectacled British actor and today TCM will be airing a batch of films he appeared in as part … Continue reading A FEW FUN FACTS ABOUT MICHAEL CAINE

Call Him a Red: Remembering Albert Finney 1936-2019

I'm going to miss Albert Finney. I've spent a good deal of my time watching the films he made and writing about them. As a result, Finney has become one of my favorite actors and my appreciation for his body of work grows deeper with each passing year. The films he appeared in influenced my … Continue reading Call Him a Red: Remembering Albert Finney 1936-2019

UNDER THE VOLCANO (1984) WITH ALBERT FINNEY

One of my favorite actors is presently getting the red-carpet treatment at FilmStruck; “Starring Albert Finney” is a new theme that presents a batch of Finney’s films for your enjoyment including Saturday Night and Sunday Morning (1960), Tom Jones (1963) and A Man of No Importance (1994). If you’re new to Finney it is a great opportunity to familiarize yourself with one of Britain’s finest exports … Continue reading UNDER THE VOLCANO (1984) WITH ALBERT FINNEY

ANGRY CINEMA: THE BRITISH NEW WAVE

In the late 1950s, Britain was a country in transition. The destruction caused by two world wars remained evident but the economy was booming and unemployment was at an all-time low. Popular music was bringing diverse groups of individuals together and creating a sense of unity among the youth. Despite the overall prosperity, the stark … Continue reading ANGRY CINEMA: THE BRITISH NEW WAVE

Remembering Alan Sillitoe: “Don’t Let the Bastards Grind You Down!”

On Saturday, Nov. 19th (and Jan. 17th) TCM will be airing Karel Reisz’ SATURDAY NIGHT AND SUNDAY MORNING (1961). This bleak but beautifully shot kitchen-sink drama features Albert Finney in his screen debut as one of Britain’s original angry young men. The film is based on a novel by the British author Alan Sillitoe who also wrote the screenplay. Alan … Continue reading Remembering Alan Sillitoe: “Don’t Let the Bastards Grind You Down!”

THE MANY ROLES OF MICK JAGGER

“The only performance that makes it…that really makes it…that makes it all the way…is the one that achieves madness.” - Turner aka Mick Jagger in Performance (1970) If someone asked me the proverbial question: “The Beatles or The Rolling Stones?” I’d pledge my allegiance to the bad boys of rock and roll in an instant. The first concert … Continue reading THE MANY ROLES OF MICK JAGGER

The Children Are Watching: Ruminations on The Pumpkin Eater (1964)

The term ‘auteur’ is rarely associated with Jack Clayton. When critics and film scholars refer to the British director by name they usually describe him as being a “talented craftsman” or “skilled technician.” Credit for the extraordinary look and feel of Clayton’s best films is typically attributed to the skilled cinematographers (Freddie Francis, Oswald Morris, … Continue reading The Children Are Watching: Ruminations on The Pumpkin Eater (1964)