What Ever Happened to Jennifer?

Jennifer’s gone missing. She was supposed to be looking after her uncle’s sprawling estate, which appears to have been abandoned since the Great Depression, but no one has seen her in weeks. Did she run off with an unknown lover? Did she swindle an undisclosed sum of money from her previous boss and head to … Continue reading What Ever Happened to Jennifer?

Pastoral Suspense: DEADLY STRANGERS (1975)

Today Sterling Hayden is best remembered by film lovers for his memorable roles in a number of classic noirs and westerns that air on TCM regularly as well as subsequent standout parts in Kubrick’s DR. STRANGELOVE: OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964), Coppola’s THE GODFATHER (1972) and Altman’s THE LONG GOODBYE (1973). Late in life tall and brawny actor … Continue reading Pastoral Suspense: DEADLY STRANGERS (1975)

Spiritualism & Spooks: The Amazing Mr. X (1948)

As a lifelong classic film fan who has seen more movies than she cares to remember, it’s easy to become a little jaded. But every year I manage to come across an old film that becomes a new favorite. In 2016 that film is the amazing, Amazing Mr. X (1948), a low-budget supernatural thriller also known as The … Continue reading Spiritualism & Spooks: The Amazing Mr. X (1948)

“The Voices of Terror – Twisting Two Minds!”

On its fog-shrouded surface, Kevin Billington’s VOICES (1973) is an unusual supernatural thriller involving ghosts and a haunted house but if you take the time to look beyond its spooky exterior you might be surprised by what you find there. This fascinating horror film has a rich and winding history that first took shape in 1953 and … Continue reading “The Voices of Terror – Twisting Two Minds!”

Authority Is the Child of Obedience

Are human beings inherently cruel or do we learn cruelty by example? Does our genetic makeup dictate our personalities at birth or are we shaped by numerous circumstances including our environments and upbringing? To borrow the title of a current popular song, are we “born this way” or are we more complex creatures than our … Continue reading Authority Is the Child of Obedience

Telefilm Time Machine: Daughter of the Mind (1969)

Ray Milland sees dead people. Or to be more precise, Ray Milland begins seeing the ghost of his dead daughter in the made-for-TV movie DAUGHTER OF THE MIND (1969) based on a novel by author Paul Gallico (THE PRIDE OF THE YANKEES; 1942, BITTER VICTORY; 1957, THE SNOW GOOSE; 1971, THE POSEIDON ADVENTURE; 1972) and directed by Walter Grauman. This is … Continue reading Telefilm Time Machine: Daughter of the Mind (1969)

The Spiral Staircase (1946)

The Spiral Staircase (1946) is a longtime favorite of mine and it has been hailed as a prototype for many of the best giallo films. With thoughts of murder and black-gloved killers running through my mind it seemed like a good time to revisit this classic thriller that features an Academy Award-nominated performance by Ethel Barrymore as … Continue reading The Spiral Staircase (1946)

MATRIMONY, MADNESS AND MURDER: HATCHET FOR THE HONEYMOON (1970)

Modern weddings often bring out the worst in people. The attempt to meet family and social expectations while exchanging vows that occasionally read like a prison sentence can be a dangerous cocktail made worse by a deep focus on money matters. Instead of enjoying their “special day” couples and their accommodating families often end up … Continue reading MATRIMONY, MADNESS AND MURDER: HATCHET FOR THE HONEYMOON (1970)

DEATH WALKS TWICE: A GIALLO DOUBLE FEATURE

The fine folks at Arrow deserve applause for their diligent efforts to release a number of exceptional giallo films on Blu-ray in recent years. Some of the films you can currently purchase from them include the suggestively titled Your Vice is a Locked Room and Only I Have the Key (1972) and What Have You Done to … Continue reading DEATH WALKS TWICE: A GIALLO DOUBLE FEATURE

GOING UNDER: REVISITING COMA (1978)

I spent Labor Day sick in bed. I was feverish, sore and incredibly cranky due to having my weekend plans derailed by a bad cold. On Monday night I began to feel slightly better after binging on Nyquil and homemade chicken soup so I curled up on the couch and turned on the TV. While … Continue reading GOING UNDER: REVISITING COMA (1978)

THE HOUSE THAT SCREAMED… “MURDER!”

Narciso Ibáñez Serrador’s THE HOUSE THAT SCREAMED (1969) is often cited as one of Spain’s most important and influential horror films but its audience is typically restricted to genre fanatics. The highly sexualized content and graphic murders depicted in this gothic thriller limit its appeal. But the commercial success of THE HOUSE THAT SCREAMED during the late 1960s … Continue reading THE HOUSE THAT SCREAMED… “MURDER!”

VINCENT PRICE & GENE TIERNEY: A DOOMED ROMANCE

This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Throughout the course of Vincent Price’s long career, he worked with some of my favorite actresses such as Barbara Steele, Diana Rigg, Jennifer Jones and Linda Hayden. But if I had to single out Price’s most important … Continue reading VINCENT PRICE & GENE TIERNEY: A DOOMED ROMANCE

TELEFILM TIME MACHINE: HOME FOR THE HOLIDAYS (1972)

Eleanor Parker in 1972 The holidays can be a very difficult time for some. I know from firsthand experience that when you don’t have any family to rely on or any kind of financial security to speak of Christmas can feel like a national nightmare inhabited by drunken revelers, crazed shoppers, and merciless merchants. This … Continue reading TELEFILM TIME MACHINE: HOME FOR THE HOLIDAYS (1972)

Reasessing the Critical Response to PEEPING TOM (1960)

When you mention PEEPING TOM (’60) to classic film fans the response is typically “That’s the movie that ended Michael Powell’s career!” and a quick Google search will unearth countless critics and film historians repeating a similar refrain. While it is true that PEEPING TOM received a brutal lashing from the British critical establishment that … Continue reading Reasessing the Critical Response to PEEPING TOM (1960)