Film Writing Nov. 2016 – April 2017

It’s been awhile. Work obligations, as well as personal projects and other responsibilities, have taken precedence over updating my blogs. Of course, you can always find me on my Tumblr as well as Twitter & Facebook. Before I let another month get away, I thought I’d finally share an update to the film writing I’ve done for the last 6 months.

I’ve broken topics up into 4 categories (Horror Cinema, British Cinema, Japanese Cinema and Other) since I tend to focus on 3 subjects more than any others. Hopefully, it will make it easier for readers to find what they’re looking for. As always, I write about film every week for FilmStruck’s Streamline blog and you can find my latest updates here: http://streamline.filmstruck.com/author/cinebeats/

Rosemary’s Baby (1968)

Horror Cinema:
– Devil’ Advocate: Rosemary’s Baby (1968)
– Venomous Snakes & Poison Ants: Picnic at Hanging Rock (1975)
– A Double Dose of Boris Karloff
– The Devil Made me Do It: La Main Du Diablo (1943)
– An Actor’s Revenge: Theatre of Blood (1973)

The Loneliness of the Long Distance Runner (1962)

British Cinema:
– Angry Cinema: The British New Wave
– Losey Let Loose: The Criminal (1960)
– Margaret Lockwood is The Wicked Lady (1945)
– Equal Shares For All: The League of Gentlemen (1960)

Belladonna of Sadness (1973)

Japanese Cinema:
– Screen Sorcery: Belladonna of Sadness (1973)
– Nippon Noir: Celebrate #noirvember with FilmStruck
– Everyone’s Gone Crazy: Violent Cop (1989)
– Tokyo Gone Gagaga: Otaku (1994) The film is actually an international production directed by French filmmaker Chris Marker but the focus is on Japan

Red Desert (1964)

Other:
– Surveying the Red Desert (1964)
– My Melancholy Valentine: Dans Paris (2006)
– There Are No Safe Spaces: An Arturo Ripstein Double Feature
– Adventure in Istanbul: Topkapi (1964)
– Joan Bennett: Fritz Lang’s Muse
– Stranger Than Fiction: The Baron of Arizona (1949)
– Creative Collaboration: Jane B. par Agnès V. (1988)
– Adolescent Adventure: The World of Henry Orient (1964)
– The Search for Common Ground: A Separation (2011)
– Strokes of Genius: Moulin Rouge (1952)
– The Future is Now: Remembrance of Things to Come (2001)

Happy New Year! + Nov. & Dec. at TCM’s Movie Morlocks

Happy New Year. So much to say and so little time to say it. Instead, I’ll save my rambling end of the year diatribe for another day and leave you with some links to the film writing I’ve done at TCM’s Movie Morlocks blog during the past few months. Cheers!

November:
– Another Hole in the Head 2015: 11 Days of Indie Horror, Sci-Fi & Fantasy in San Francisco!
Excerpt: “In the words of festival programmer Michael Guillen, Another Hole in the Head is “characterized by a scrappy, DIY aesthetic that eschews big studio content and recent trends towards elevated genre. Holehead’s programming remains curatorially committed to the genre’s graphic roots in shockploitation, visceral thrills and gleeful mayhem.” As a genre film fan with a particular interest in horror I was intrigued by Guillen’s joyful and graphic description so I decided to ask him a few questions about the festival and his programming selections this year.”
– Federico Fellini: The Cartoonist
Excerpt: “Fellini’s propensity toward the absurd emerged early in life. As a child, he began drawing caricatures of film stars he saw in movies and as a young adult he found work as a cartoonist and gag writer for a number of Italian newspapers, humor publications and comic books. He eventually began writing comedy scripts for radio but WW2 derailed his writing career and following the Allied liberation of Rome in 1944, Fellini opened the Funny Face Shop where he worked as a caricature artist and expressed an interest in animation. It was here that Fellini met the renowned filmmaker Roberto Rossellini who was so impressed with his sense of humor that he was asked to co-write the film script for Rossellini’s Rome, Open City (1945) and the rest, as they say, is history. Fellini soon began working as an apprentice for Rossellini and ultimately started directing his own films but he never stopped drawing cartoons and caricatures.”
– Life Advice from Douglas Fairbanks
Excerpt: “The ideas expressed in the books are often ridiculously simplistic and there is a lot of focus on physical fitness, which preoccupied much of Fairbanks’s time. The actor’s fixation with exercise and maintaining his health is typical of someone whose career relies on him being physically fit but it’s also a rather modern approach to living that predates our current preoccupation with good health and Hollywood’s obsession with body image. In retrospect, Fairbanks’s health advice seems somewhat ironic considering we now know he died at the young age of 52 following a heart attack. It’s an unfortunate reminder that despite our best efforts death is unavoidable and waits for no one.”
– Remembering Bruce Lee on his 75th Birthday
Excerpt: “My own affection for Bruce Lee began when I was just a kid. I became aware of the actor and director when he died in 1973, which was the same year I lost my own father. For a number of reasons, including their similar age and the fact that Lee’s passing garnered massive publicity at the time, their deaths were inevitably linked in my head and heart. There were plenty of other celebrity deaths in 1973, including Lon Chaney Jr. and Edward G. Robinson, but neither generated the kind of worldwide public mourning and media attention that followed in the wake of Bruce Lee’s passing. Afterward the celebrated martial artist was catapulted into sainthood while my father remained a saint in my own mind. However, when I think of one man I frequently think of the other. Both left this world suddenly, without warning, and much too soon.”

December:
– Movie Book Round-Up: The Holiday Edition
Excerpt: “Since I began writing for the Movie Morlocks five years ago I typically compile a blog post with summer reading suggestions or a list of favorite film related books released at the end of the year. This year I’ve had access to so many great books that I decided to compile two book lists . . . What follows is my ‘Holiday Edition’ where I share some of the best books (pictured above) that I’ve encountered since July. I hope both lists will encourage you to do some reading during the holidays or provide you with some shopping suggestions while you’re purchasing gifts for fellow film buffs.”
– Nippon Noir: Snow Trail (1947)
Excerpt: “Senkichi Taniguchi’s Show Trail aka Ginrei no hate (1947) begins with a bang. A montage of shadowy figures and fragmented images bombards viewers during the film’s opening credits while guns fire, alarms ring, windows break, trains whistle and sirens scream. We soon discover that three desperate men (Toshiro Mifune, Takashi Shimura and Yoshio Kosugi) have just robbed a bank and in a bold attempt to dodge authorities they make a dangerous trip to Northern Japan where they hope to lose their pursuers in the snow covered Alps . . . This highly suspenseful, genuinely moving and remarkably inventive film marks the screen introduction of many notable talents. Chief among them is 27-year-old Toshiro Mifune who makes his screen debut here and would eventually become one of Japan’s most acclaimed and beloved actors.”
– Pioneering Women: Disney Artists Mary Blair & Thelma Witmer
Excerpt: “While pursuing the credits for So Dear to My Heart and the animated short Corn Chips I noticed that they included work done by two female animation artists I admire, Mary Blair and Thelma Witmer. Women are not typically associated with animation and they tend to be excluded from histories about the subject but thanks to a number of recent books and exhibits, Mary Blair’s career has gone through a reevaluation and she’s become widely recognized as one of Walt Disney Studio’s most original and influential talents. Unfortunately, the same can’t be said of background artist Thelma Witmer who worked with Disney for more than 20 years but remains largely unknown.”
– The Thin Man Marathon: Conjugal Concord
Excerpt: “There are many reasons to love the Thin Man films. They’re smart, funny, sophisticated and flat out entertaining mysteries but I’m particularly fond of the way they make marriage look so damn fun. Nick and Nora are best pals as well as romantic mates and their breezy back-and-forth banter suggests an intimacy that is sadly missing from many depictions of marriage on screen. Best of all, they share a similar sense of humor and as the old maxim goes, ‘a couple that laughs together, stays together.'”

I’ve also been doing some promotional writing for TCM’s new Wine Club including a brief piece about wine in the movies that you can find here:
– A Brief History of Wine in the Movies

June & July at the Movie Morlocks

I haven’t been online much the last few months for a number of reasons. First and foremost, I’ve been having some medical problems with my left eye and spending lots of time on my computer reading, watching vids and writing can often be problematic. My eyes get easily irritated and I’m prone to headaches, etc. The other reason is simple net fatigue, particularly on social media sites such as Facebook & Twitter where petty bickering, herd-like behavior and one-upmanship among film fans, critics and journalists can become unbearably tiresome. With that out of the way, I want to apologize to anyone you visits Cinebeats often hoping for new updates (excuses I know… but I seem to be suffering from an extreme case of weltschmerz this year) but you can still find me regularly posting on TCM’s Movie Morlocks blog and I occasionally write articles for TCM’s website. Here are some links to things I’ve written in the last few months:

– They Wore It Well: Actors & Mustaches: “Mustaches of all shapes, sizes, widths and weights have long been part our movie history so it’s easy to take them for granted. But a good mustache can have power and presence in the movies and many actors have made great use of their facial hair to seduce costars, entice laughter and menace their enemies.”

– Hammer Noir: Terence Fisher’s STOLEN FACE (1952): “While a few of the Fisher’s earlier films, such as SO LONG AT THE FAIR (1950), hinted at his penchant for gothic fantasy and costume drama, STOLEN FACE gave the director the opportunity to begin exploring (and exploiting) his apparent fascination with science, philosophy, psychology and medicine that would later permeate his full-color horror films made for Hammer. Amid the noir elements and abundant melodrama that can be found in STOLEN FACE, Fisher spends a noticeable amount of time lingering on strange medical devices while focusing on the doctor’s interactions with patents and colleagues. The doctor also makes a noteworthy trip to a pub where he mingles with some inquisitive locals. This seemingly innocuous event became a staple in Fisher’s horror films…”

– Summer Reading Suggestions: “Like many people, I tend to do a lot of reading when the weather warms up and with summer officially about to start on June 21st I thought it would be a good time to share some of the books I’ve been enjoying with my fellow film buffs. My own tastes tend to be somewhat eclectic but I hope readers of all types and stripes will find something that piques their interest when pursuing my list of Summer Reading Suggestions.”

– “I wonder if my brother remembers his brother?” – Remembering Eli Wallach 1915-2014: “Leone famously liked to shoot his actors in extreme close-up or in sweeping wide shots where they were barely visible. But Wallach instinctively knew how to make the most of his screen time and easily navigates between these two very different modes of filmmaking. His eyes speak volumes when Leone’s camera zooms in for a signature close-up but when the director’s camera is out of sight Wallach skillfully used his body language to define his character from a distance. Many actors would get lost in the vast deserts, dilapidated cemeteries and shabby old towns that make up Leone’s film but Wallach seamlessly becomes part of the landscape. We know he’s there even when we can’t see him.”

– When Fact Mirrors Fiction: AGATHA (1979): “Redgrave and Hoffman make an unlikely pair and some critics apparently found their height difference distracting but I think the two actors have an incredible chemistry on screen. Redgrave seems to be channeling Garbo while Hoffman displays the kind of arrogant charm that made William Powell so likable. Both performers have rarely been as vulnerable, sympathetic, affable and flat out sexy as they are here, which is partially due to the way they interact and seem to identify with one another’s characters. Their unconventional but utterly convincing on-screen romance is one of the many reasons why I find AGATHA so compelling.”

– The Malaise of the Ghetto: LA HAINE (1995): “The broad appeal of Kassovitz’s film can also be traced to another film that mesmerized young audiences in 1955, Nicholas Ray’s timeless classic REBEL WITHOUT A CAUSE. Both films focus on a troubled threesome who form a makeshift family during the span of 24 hours. The neighborhood fighting might be on a much smaller scale and the suburban hood of 1955 Los Angeles appears much more inviting than the suburban slums of 1995 Paris, but both movies use the threat of gun violence to their credit. Neither Plato (Sal Mineo) nor Vinz (Vincent Cassel) can fully comprehend the lethal power of the weapons they’re carrying and their shared desire for some kind of notoriety or control in the face of an indifferent world is something many young people can unfortunately sympathize with . Does LA HAINE have the staying power of REBEL WITHOUT A CAUSE? That remains to be seen.”

– A Century of Scares: Happy Birthday Bava!: “This week marks the 100th birthday of Mario Bava who was born on July 30th (according to leading Bava researcher Tim Lucas and author of the essential Mario Bava: All the Colors of the Dark) or 31st (if you want to believe IMDB.com and Wikipedia). The brilliant Italian director, cinematographer, special effects artist and screenwriter died in 1980 but today he’s fondly remembered by horror film enthusiasts as the Maestro of the Macabre. Bava has long been one of my favorite filmmakers so I couldn’t let this important anniversary pass without acknowledging his artistry.”

April & May at The Movie Morlocks

Highlights from my April & May contributions to TCM’s Movie Morlocks. You can read all the articles by following the links below:

– Happy Birthday Doris!
Excerpt: “The legacy of this vivacious movie star, popular vocalist, television personality and animal rights advocate is truly unparalleled. And knowing Doris Day’s is still here with us doing good work that benefits us all is something worth celebrating!”

– When Insects Attack: GENOCIDE (1968)
Excerpt: “The unexpected blend of film genres makes GENOCIDE a unique viewing experience that benefits from some impressive psychedelic inspired visuals. Director Kazui Nihonmatsu uses a number of imaginative film techniques including superimposition and slow dissolves to express the fractured state of mind of his tormented cast as well as the apocalyptic nature of their plight. And the relentless close-ups of actual insects munching on human flesh gives this low-budget production an uncomfortable documentary-like ambiance. Fans of Toho’s more atypical outings such as THE H-MAN (1958), THE HUMAN VAPOR (1960) and MATANGO (1965) will appreciate GENOCIDE and if you enjoy a good bug invasion movie as much as I do you should find this interesting little gem worthy of your time.”

– Matrimony, Madness and Murder: HATCHET FOR THE HONEYMOON (1970)
Excerpt: “What sets HATCHET FOR THE HONEYMOON apart from many other pretty-boy “psycho-thrillers” (a term I’m borrowing from film journalist Kim Newman) that were prevalent in the late sixties and early seventies is its international setting and baroque setpieces. Bava’s film was shot in France, Italy and Spain and used the elegant villa of the infamous Generalissimo Francisco Franco as one of its backdrops. The House of Harrington contains an extravagant bridal salon adorned with mannequins that model beautiful wedding gowns and resemble the lifeless corpses of dead brides. And it is in this enclosed and highly stylized setting that the killer feels most at home as does Bava’s camera which lovingly lingers over every macabre detail allowing us an intimate look into the murderer’s mind.”

– Rough, Raw & Randy: UP THE JUNCTION (1968)
Excerpt: “Peter Collinson’s effective slice-of-life drama UP THE JUNCTION (1968) makes its DVD and Blu-ray debut in the U.S. this week thanks to Olive Films. Today the film is often fondly remembered by fans of sixties cinema for its South London setting, colorful mod fashions, beehive hairdos, boastful bikers and jazzy psychedelic pop score by Manfred Mann. But UP THE JUNCTION has more to offer viewers besides an abundance of great style and an unforgettable soundtrack.”

– Bad Movie Mothers We Love to Hate
Excerpt: “TCM is celebrating Mother’s Day (Sunday, May 11th) with a great program of classic films showcasing notable mothers. While looking over Sunday’s line-up I was surprised to spot NOW, VOYAGER (1942), which features Gladys Cooper as the incredibly cold and domineering mother of Bette Davis. Cooper won an Oscar nomination for her memorable performance and went on to play another overbearing mother in SEPARATE TABLES (1958) who torments poor Deborah Kerr. While considering Gladys Cooper’s portrayal of two heartless mothers I started thinking about other horrible movie moms that I’ve enjoyed watching over the years.”

– Spy Games: BANG! BANG! YOU’RE DEAD! (1966)
Excerpt: “BANG! BANG! YOU’RE DEAD! Is just one of hundreds (possibly thousands) of spy spoofs that were released in the sixties following the world-wide success of the early James Bond films. Its unwieldy plot and cookie-cutter characters will be familiar to many but thanks to a solid cast, the spectacular North Africa locations and some thrilling action sequences this amusing romp managed to keep me entertained throughout its 92 minute running time.”

– Mystery & Melodrama: THE BLETCHLEY CIRCLE (2012-2014)
Excerpt: “It’s a shame that so many women who took on incredibly difficult and challenging jobs during WW2, such as flying planes, driving tanks, nursing the wounded, spying for their governments and breaking complicated codes shared by enemy nations, have been overshadowed by their male counterparts. Rosie the Riveter has become a symbol of female ingenuity during wartime but women did much more in WW2 besides working in ammunition factories. THE BLETCHLEY CIRCLE shines a welcome light on a group of heroic women that have all too often been forgotten by history and brings them to vivid life.”

– “The World’s Most Beautiful Animal!” – Ava Gardner in THE BAREFOOT CONTESSA (1954)
Excerpt: “Ava Gardner makes one of my favorite film entrances of all time in Joseph L. Mankiewicz’s THE BAREFOOT CONTESSA (1954), which airs on TCM June 1st. If you want to kick off the new month with a bang I highly recommend making time for this verbose Technicolor-noir that critiques Hollywood excess and the powerful studio system that frequently exploited its stars. Mankiewicz’s film is a heady brew of CITIZEN KANE (1941), LAURA (1944), SUNSET BLVD. (1950) and the director’s own ALL ABOUT EVE (1950) shot with abundant style by master cinematographer Jack Cardiff.”

Spy Games: MATCHLESS (1967)

For my fourth installment of Spy Games I decided to highlight the funny Italian spy spoof MATCHLESS (1967) directed by Alberto Lattuada. Criterion’s released a couple of Lattuada’s films including MAFIOSO (1962) and VARIETY LIGHTS (1950), which he co-directed with Fredrico Fellini. But I hadn’t seen any of Lattuada’s other films until I came across his two silly & stylish spy spoofs currently streaming on Netflix. I recommend both films in my review of MATCHLESS, which you can find at the Movie Morlocks.

– “Spy Games: Matchless (1967)” @ TCM’s Movie Morlocks

I’ve also compiled a gallery of images from MATCHLESS that you can find on Flickr.

ZEN on PBS

Actress Catherine Spaak in 1966

I rarely write about modern films or new television shows but if you happen to follow me on Twitter or Facebook you’ve probably noticed that I occasionally mention movies and TV shows that don’t warrant a full post on Cinebeats. My latest obsession is the BBC import currently playing on PBS titled, ZEN (2011).

ZEN is a modern day cop show starring the handsome & talented Rufus Sewell, who should be a household name by now. Sewell’s character is a Venetian detective named Aurelio Zen and he gets to wear expensive Italian suits while solving crimes in Italy. ZEN takes full advantage of the beautiful setting and there’s lots of show stopping shots of the Italian countryside. In ZEN Sewell’s character lives alone with his mother who happens to be played by the beautiful 66-year-old actress, Catherine Spaak and Spaak’s name should be familiar to fans of Italian films like Pasquale Festa Campanile’s The Libertine (1968), Dario Argento’s The Cat O’ Nine Tails (1971) and Antonio Margheriti’s Take a Hard Ride (1975). The show is based on a series of books by British author, Michael Dibdin and if I had to guess I’d say that the directors, writers & casting agents are fans of Italian Poliziotteschi films and possibly Italian horror/giallo films. From the groovy soundtrack to the Gothic settings, ZEN is a show that should appeal to some fans of Italian exploitation films, but be forewarned! It’s slow-moving and takes awhile to get going. And the proceedings have naturally been “softened up” for the BBC television audience. And although it’s set in Italy, ZEN is a BBC production so almost all the actors involved are British performers pretending to be Italian and they don’t bother with fake accents. But if you’re looking for something new to watch on TV, you could do a lot worse than ZEN. The first episode is currently available to watch on the PBS website in case you missed it. Just follow the link posted below to find more information about the show:

– ZEN : Masterpiece Mystery : PBS

As I’ve mentioned before in various places, PBS is currently running some of the best shows on television including SHERLOCK and DOWNTON ABBEY. You can add ZEN to the list of great shows on Public Television right now.

An Evening with Terence Stamp

Last Friday I had the pleasure of attending an event titled “An Evening with Terence Stamp” that took place during the 2011 San Francisco International Film Festival at the Castro Theatre. Regular Cinebeats’ readers are probably well aware that Stamp is one of my favorite actors so I was overjoyed to get the opportunity to see him discuss his career in person. The evening was topped of with a showing of one of my favorite Terence Stamp films, Fellini’s Toby Dammit (1968). You can read a brief account of my amazing evening at the Movie Morlocks this week.
– An Evening with Terence Stamp @ TCM’s Classic Movie Blog

Jodorowsky at Severin

Severin has recently released my favorite Alejandro Jodorowsky film on DVD, the magnificent Santa Sangre (1989). Santa Sangre has been one of my favorite films since I originally saw it on video back in 1990. It had an extremely limited theatrical run and hasn’t been available on DVD in the US until now. Severin did an amazing job on their release and the DVD looks terrific. It’s also loaded with extras including:

• Forget Everything You Have Ever Seen: The World Of Santa Sangre. Exclusive Feature Length Making-Of Documentary Featuring All-New Interviews with the Cast And Crew
• Audio Commentary with Jodorowsky and Journalist Alan Jones
• Deleted Scenes with Director Commentary
• For One Week Only: Alejandro Jodorowsky: 1990 UK Documentary
• Goyo Cárdenas Spree Killer: Documentary on the Real Life Inspiration For Santa Sangre
• On Stage Q&A With Jodorowsky
• Jodorowsky 2003 Interview
. . . and more!

I previously wrote about my deep appreciation for Jodorowsky’s movie back in 2007 when I was asked to select some of my favorite foreign language films for an online poll. At the time I said:

“Santa Sangre is probably Jodorwsky’s darkest effort and it’s also his most fully realized film in my humble opinion. It’s brimming with unforgettable imagery and startling storytelling techniques that recall an earlier time in European horror cinema. Like many of the films on my list, Santa Sangre is not easy viewing. It demands a lot from potential viewers but it’s a film that constantly comes to mind when I think about foreign language films that have deeply affected me. It changed the way that I view cinema and shaped my appreciation of the art form.”

I still feel that way today and the Severin’s DVD release has only added to my enjoyment of Jadorowsky’s masterpiece. You can find my full (but brief) comments about Santa Sangre in the Cinebeats Archives.
– 12 Favorite Foreign Language Films (including Santa Sangre) – From the Cinebeats’ Archives

Seduced by Pierre Clémenti

Pierre Clémenti in Listen, Let’s Make Love (1967) Regular Cinebeats’ readers are undoubtedly familiar with my fascination with the French actor and filmmaker Pierre Clémenti. I’ve written about him enough that he’s earned his own blog category so you can imagine my surprise when I came across one of the little seen films that he appeared in playing on Netflix Instant Watch recently. The erotic European drama Listen, Let’s Make Love (1967) is the last thing I’d expect to come across on Netflix but I’m really glad that I stumbled on it. It’s a gorgeous film with some amazing set designs and eye-popping art direction as well as a fantastic score by Ennio Morricone. Fans of Euro cult films like Radley Mizger’s incredible Camille 2000 (1969) should give it a look but be forewarned, I suspect that the version of Listen, Let’s Make Love that’s currently available at Netflix might be edited. The film is dubbed and contains no nudity except for a few derrieres and breasts displayed at an erotic art exhibit. But don’t let that stop you from watching it. Listen, Let’s Make Love is an interesting film and if you’re a Pierre Clémenti fan like myself it’s a must see! You can find my full review and lots of images from the movie posted at the Movie Morlocks. – Seduced by Pierre Clémenti @ TCM’s Classic Movie Blog I’ve also created a Flickr Gallery for the film if you want to see more images from Listen, Let’s Make Love (1967) – Listen, Let’s Make Love (1967) Flickr Gallery

Yeti Holiday Fun

Xmas card illustrated by SHAG that I sent to friends & family in 2002

One of my favorite monsters is the elusive and mysterious Yeti or Abominable Snowman and during the winter months I always start thinking about my favorite Yeti movies. I decided to compile a brief list of viewing suggestions for Movie Morlock readers this week in case anyone else is interested in exploring the fascinating and bizarre cannon of Yeti films that are currently available on DVD and video. Christmas movies often bore me to tears unless they’re made by Rankin/Bass or directed by Bob Clark so I tend to gravitate towards other entertainment in December. Do you really want to sit through White Christmas or Miracle on 34th Street again? Adding a few Yeti movies to your winter viewing calendar is a great way to mix things up a bit and postpone the winter doldrums. Invite a Yeti to your Christmas party and he’s sure to liven things up a bit!
– ‘Tis the Season… of the Yeti! @ TCM’s Classic Movie Blog