MELVIN VAN PEEBLES: THE STORY OF A THREE-DAY PASS (1967)

In the late 1950s, Melvin Van Peebles went to Hollywood after completing a number of short films. He had aspirations of becoming a director’s assistant but an agent quickly squelched his ambition after telling him, “If you can tap dance, I might find you some work. But that is about all.” When he couldn’t find work as a director, Van Peebles attempted to sell one … Continue reading MELVIN VAN PEEBLES: THE STORY OF A THREE-DAY PASS (1967)

“A FILM IS A PETRIFIED FOUNTAIN OF THOUGHT.” – JEAN COCTEAU

When Jean Cocteau’s name surfaces most of us think of the visionary artist, poet and director who made films such as BEAUTY AND THE BEAST (1946), BLOOD OF A POET (1930), LES PARENTS TERRIBLES (1948) and ORPHEUS (1949). Cocteau is all these things and more but he also happens to be one of my favorite film critics. I hesitate to call Cocteau a critic because it’s a term I’m not particularly … Continue reading “A FILM IS A PETRIFIED FOUNTAIN OF THOUGHT.” – JEAN COCTEAU

MY MELANCHOLY VALENTINE: DANS PARIS (2006)

Love is complicated. Some see it as a priceless gift or blessing while others describe it as an unshakeable disease. It can be comforting, enriching, elevating, thrilling and divine. It can also be messy, unruly, feral, ferocious and cruel, particularly if you are suffering from acute depression. In Dans Paris aka In Paris (2006), French filmmaker Christophe Honoré (Ma mère aka My Mother [2004], Les chansons d’amour aka Love Songs [2006], Les Bien-Aimés aka Beloved [2011]) introduces us to … Continue reading MY MELANCHOLY VALENTINE: DANS PARIS (2006)

CRIME & PUNISHMENT: LE CERCLE ROUGE (1970)

August 10, 2017: FilmStruck is currently streaming 11 films featuring Alain Delon as part of their “Icons: Alain Delon” theme and for the next 4 weeks I’ll be spotlighting a few of my favorite titles in this collection. To learn more about the French actor please see a previous post I wrote in 2010 to celebrate Delon’s 75th birthday titled, “The Ice-Cold Angel turns 75.” You might also … Continue reading CRIME & PUNISHMENT: LE CERCLE ROUGE (1970)

HONOR AMONG THIEVES: FAREWELL, FRIEND (1968)

In the tradition of classic French heist films such as Touchez pas au grisbi (1954), Rififi (1955) and Bob le flambeur (1956), Farewell, Friend (aka Honor Among Thieves, 1968) takes viewers on a treacherous adventure where femme fatales lurk around every shadowy corner and crime rarely pays. But that doesn’t stop some fortune hunters from risking everything to make a quick buck or in this case, repay a debt to a dead man. In Farewell, … Continue reading HONOR AMONG THIEVES: FAREWELL, FRIEND (1968)

My Favorite Films of 2017

I contributed a list of my 20 Favorite Films seen in 2017 to the annual Senses of Cinema World Poll in the form of an illustration scanned & cleaned up in Photoshop. I wanted to have fun with the process this year and didn’t feel much like writing about all the films on my list although there are a few I’d like to discuss further … Continue reading My Favorite Films of 2017

Favorite Film Books of 2017

With the holidays fast approaching I thought I would recommend an eclectic selection of my favorite film books released in 2017 in case you’re looking for gifts to please the cinephiles in your life. My picks include a variety of reading material for all budgets and tastes including many titles that are closely linked to films currently streaming on FilmStruck. Unchained Melody: The Films of … Continue reading Favorite Film Books of 2017

The Return of Modern Mondays

I’ve been inspired to write brief bits about some of the new films I’ve seen recently. I normally post my thoughts on Letterboxd but thought I’d start compiling them here every month or so depending on how much I write and if I have anything worthwhile to say. Breathe (2015) The worst bullies I’ve encountered in my life have all been women and some of … Continue reading The Return of Modern Mondays

Like Father, Like Son – Doppelgangers

One of my most interesting recent discoveries is a short film made by director Julien Landais. It’s titled DER DOPPELGANGER (2014) and stars Alain Delon’s youngest son, Alain-Fabien Delon Jr. who was just 20-years-old at the time. What fascinates me about Landais’s film is that it seems to borrow some visual motifs from my favorite horror anthology, SPIRITS OF THE DEAD (1968), which featured Alain Delon … Continue reading Like Father, Like Son – Doppelgangers