You may not recognize Donald Ogden Stewart’s name but if you are a classic film fan you’re probably familiar with his work. Stewart’s ability to write snappy dialogue and adapt popular plays for the screen made him one of the highest paid screenwriters in Hollywood during the 1930s and 1940s. And throughout his career, Stewart … Continue reading Donald Ogden Stewart: Katharine Hepburn’s Secret Weapon in KEEPER OF THE FLAME (1943)
Survival Instincts: THE INSECT WOMAN (1963)
THE INSECT WOMAN (’63) is not easy viewing. Shôhei Imamura’s film recounts the hard-fought life of Tome (Sachiko Hidari), a fatherless peasant woman born into abject poverty in rural Japan. Beginning with her birth in 1918 and concluding sometime after WWII, the film takes place over three turbulent decades in which Tome faces sexual abuse … Continue reading Survival Instincts: THE INSECT WOMAN (1963)
December at the Movie Morlocks
Links to my December 2014 posts at the TCM's Movie Morlocks: Holiday Greetings from The Ghost of Christmas Yet To Come! Excerpt: "Dickens’ novella was first conceived as a political pamphlet designed to arouse the public’s compassion for the plight of the poor but to his credit, the writer realized his strength was in storytelling … Continue reading December at the Movie Morlocks
A Tale of Two Films: THE PICASSO SUMMER (1969)
My latest post at the Movie Morlocks takes a look at the making of THE PICASSO SUMMER (1969) starring the fabulous Albert Finney & Yvette Mimieux. Here’s a brief excerpt from my post...
The Strawberry Statement (1970)
Stuart Hagmann’s THE STRAWBERRY STATEMENT (1970) is often dismissed today as a dated relic of the early ‘70s. During its initial release it was singled out for being exploitive and failing to be a straightforward adaptation of the book it was based on. Many critics claimed that Stuart Hagmann’s direction was erratic and too creative for its own good, which supposedly diminished the film’s political message. When I recently set aside some time to watch THE STRAWBERRY STATEMENT I prepared myself for the worst. I expected to see a confusing, opportunistic, dated and laughable Hollywood film made to cash in on the political zeitgeist of the late ‘60s and early ‘70s. But I came away from the movie with an entirely different opinion and immediately understood why it had been nominated for a Palme d’Or at Cannes in 1970 and walked away with a Jury Prize.
KEN RUSSELL: IN HIS OWN WORDS
Controversial film director Ken Russell passed away suddenly this week at the age of 84. Russell has long been considered the bad boy of British cinema or the original ‘enfant terrible’ of the empire, but for almost as long as I can remember he’s been one of my favorite filmmakers. I was introduced to his … Continue reading KEN RUSSELL: IN HIS OWN WORDS
Jacqueline Susann’s Love Machine (1971)
I recently got the chance to review the Warner Archive DVD release of THE LOVE MACHINE (1971) based on Jacqueline "Valley of the Dolls" Susann's book and naturally I jumped at the opportunity. I've mentioned the film at Cinebeats before during my farewell post to John Phillip Law, which was written after he passed away … Continue reading Jacqueline Susann’s Love Machine (1971)
The Fool Killer (1965)
I first saw Servando González's 1965 film The Fool Killer (aka El asesino de tontos) almost twenty years ago and it's haunted me ever since. The film features Anthony Perkins in one of his best roles and I got the urge to watch it again last year while I was obsessing over Perkins' music career. … Continue reading The Fool Killer (1965)
Modern Mondays: A History of Violence (2005)
It seems like everywhere I turn someone is talking or writing about the recent Comic Book Convention that is held in San Diego every year. It used to be an event only attended by comic book fans and various industry insiders, but it has exploded into some kind of massive media event attended by anyone … Continue reading Modern Mondays: A History of Violence (2005)
