Robert Wise is one of my favorite American directors but (as I've noted in the past) he rarely receives the kind of critical attention that's heaped on his peers. Wise was a proud product of the Hollywood studio system and a very private man. Throughout his career, he purposefully avoided the spotlight and regularly praised … Continue reading BOOK REVIEW – Robert Wise: The Motion Pictures
Celebrating Black Film Artists
In honor of Juneteenth, I decided to collect links to some of the articles I've written where I discuss the work of black film artists in one celebratory post. I hope it will encourage readers to seek out work by black directors, actors and writers that I've singled out and discover more of their incredible … Continue reading Celebrating Black Film Artists
THE BRUTAL TRUTH: Steve McQueen’s 12 Years a Slave (2013)
On Sunday many will be glued to their television sets watching the annual Oscar ceremony unfold. At this time of year I tend to contemplate all the new releases I’ve seen in the past 12 months and linger over the films that have captured my imagination, awed me, inspired me, or just made me think … Continue reading THE BRUTAL TRUTH: Steve McQueen’s 12 Years a Slave (2013)
GORDON PARKS: FILMMAKER, PHOTOGRAPHER & RENAISSANCE MAN
“Something mighty there is inside a man that takes him from being the youngest of 15 children raised in Kansas poverty, something that lets him clear the cruel hurdles implanted by a racist society, something that permits not merely survival but mastery of all that he embraced. A poet, and a pianist, a classical music … Continue reading GORDON PARKS: FILMMAKER, PHOTOGRAPHER & RENAISSANCE MAN
“A FILM IS A PETRIFIED FOUNTAIN OF THOUGHT.” – JEAN COCTEAU
When Jean Cocteau’s name surfaces most of us think of the visionary artist, poet and director who made films such as BEAUTY AND THE BEAST (1946), BLOOD OF A POET (1930), LES PARENTS TERRIBLES (1948) and ORPHEUS (1949). Cocteau is all these things and more but he also happens to be one of my favorite film critics. I hesitate to call … Continue reading “A FILM IS A PETRIFIED FOUNTAIN OF THOUGHT.” – JEAN COCTEAU
Got a Library Card? You Should Be Watching Kanopy!
We're living in precarious times. As a result, it's easy to feel overwhelmed by current events and spending time glued to the news or our social media feeds can often add to our stress and discomfort. To make matters worse, many of us are also living paycheck to paycheck and things like streaming services can … Continue reading Got a Library Card? You Should Be Watching Kanopy!
Looking for Fellini: HOW STRANGE TO BE NAMED FEDERICO (2013)
Ettore Scola might not be as renowned as his lifelong friend and fellow filmmaker Federico Fellini but before he died in 2016, Scola’s work had earned him ample critical acclaim and numerous Academy Award nominations for Best Foreign Language Film. Four of Scola’s films are currently streaming on FilmStruck including UGLY, DIRTY AND BAD (’76), … Continue reading Looking for Fellini: HOW STRANGE TO BE NAMED FEDERICO (2013)
FEDERICO FELLINI: THE CARTOONIST
Federico Fellini is one of my favorite filmmakers so I was delighted to discover that TCM Imports is showcasing the movie maestro’s work every Sunday night throughout the month of November. In the next three weeks you can catch Nights of Cabiria (1957) on Nov. 15, Juliet of the Spirits (1965) on Nov. 22 and Satyricon (1969) on Nov. … Continue reading FEDERICO FELLINI: THE CARTOONIST
MY MELANCHOLY VALENTINE: DANS PARIS (2006)
Love is complicated. Some see it as a priceless gift or blessing while others describe it as an unshakeable disease. It can be comforting, enriching, elevating, thrilling and divine. It can also be messy, unruly, feral, ferocious and cruel, particularly if you are suffering from acute depression. In Dans Paris aka In Paris (2006), French filmmaker Christophe Honoré (Ma … Continue reading MY MELANCHOLY VALENTINE: DANS PARIS (2006)
Discussing THE DEVILS (1971) with Kevin Flanagan
Kevin M. Flanagan received his Ph.D. from the University of Pittsburgh in 2015 in English/Film studies (his dissertation: The British War Film, 1939-1980: Culture, History, and, Genre). A book based on this project is under contract with Palgrave (part of the Britain and the World series). Flanagan is also the editor of 2009’s Ken Russell: Re-Viewing England’s Last … Continue reading Discussing THE DEVILS (1971) with Kevin Flanagan
The Doors Are Always Open at The Phantom Playhouse
A gentle reminder that The Phantom Playhouse - Cinebeats' sister site focused on horror cinema - is open for business and the tickets are always free. Its been updated recently and collects articles or links to all of my horror focused writing. If you know me you know that horror is my favorite film genre … Continue reading The Doors Are Always Open at The Phantom Playhouse
Celebrate LGBT+ Pride Month with Cinema
This an update to my original LGBT+ Pride Month post first published in 2015 that you can find here. As a film journalist, I have often tried to focus my attention on underappreciated films, unsung actors and lesser-known directors. Unsurprisingly, this has led me to write about a number of LGBT+ films and television programs … Continue reading Celebrate LGBT+ Pride Month with Cinema
ROGER CORMAN & VINCENT PRICE: THE GROOVY GRUESOME TWOSOME
This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Vincent Price will be headlining TCM’s terrific Halloween line-up tonight, which kicks off at 5PM PST/8PM EST with THE PIT AND THE PENDULUM (1961) followed by THE HAUNTED PALACE (1963), THE MASQUE OF THE RED DEATH (1964), THE ABOMINABLE DR. PHIBES (1971), TWICE TOLD TALES(1963), THE TOMB … Continue reading ROGER CORMAN & VINCENT PRICE: THE GROOVY GRUESOME TWOSOME
SPY GAMES: Frank Tashlin & Doris Day Go Undercover
In the late 1960s Doris Day starred in two spy spoofs directed by Frank Tashlin; THE GLASS BOTTOM BOAT(1967) and CAPRICE (1968). At the time Day was 43-years-old and one of Hollywood’s biggest stars but her career was in sharp decline. Critics seemed to relish taking potshots at the movies she appeared in while launching full-blown attacks on … Continue reading SPY GAMES: Frank Tashlin & Doris Day Go Undercover
CREATIVE COLLABORATION: JANE B. PAR AGNÈS V. (1988)
When Jane Birkin (Blow-Up [1966], Wonderwall [1968], La Piscine [1968], Don Juan (or If Don Juan Were a Woman) [1973], Je t’aime moi non plus [1976], Death on the Nile [1978], La Belle Noiseuse [1991])) was getting ready to celebrate her 40th birthday in 1986 she confessed to filmmaker Agnès Varda, that she had reservations about growing older. Varda, who was almost 60-years-old at the time, told Birkin … Continue reading CREATIVE COLLABORATION: JANE B. PAR AGNÈS V. (1988)
