Discussing THE DEVILS (1971) with Kevin Flanagan

Kevin M. Flanagan received his Ph.D. from the University of Pittsburgh in 2015 in English/Film studies (his dissertation: The British War Film, 1939-1980: Culture, History, and, Genre). A book based on this project is under contract with Palgrave (part of the Britain and the World series). Flanagan is also the editor of 2009’s Ken Russell: Re-Viewing England’s Last …

The Doors Are Always Open at The Phantom Playhouse

A gentle reminder that The Phantom Playhouse - Cinebeats' sister site focused on horror cinema - is open for business and the tickets are always free. Its been updated recently and collects articles or links to all of my horror focused writing. If you know me you know that horror is my favorite film genre …

Celebrate LGBT+ Pride Month with Cinema

This an update to my original LGBT+ Pride Month post first published in 2015 that you can find here. As a film journalist, I have often tried to focus my attention on underappreciated films, unsung actors and lesser-known directors. Unsurprisingly, this has led me to write about a number of LGBT+ films and television programs …

ROGER CORMAN & VINCENT PRICE: THE GROOVY GRUESOME TWOSOME

This post was part of my month-long celebration of Vincent Price–TCM’s October Star of the Month in 2013. Vincent Price will be headlining TCM’s terrific Halloween line-up tonight, which kicks off at 5PM PST/8PM EST with THE PIT AND THE PENDULUM (1961) followed by THE HAUNTED PALACE (1963), THE MASQUE OF THE RED DEATH (1964), THE ABOMINABLE DR. PHIBES (1971), TWICE TOLD TALES(1963), THE TOMB …

SPY GAMES: Frank Tashlin & Doris Day Go Undercover

In the late 1960s Doris Day starred in two spy spoofs directed by Frank Tashlin; THE GLASS BOTTOM BOAT(1967) and CAPRICE (1968). At the time Day was 43-years-old and one of Hollywood’s biggest stars but her career was in sharp decline. Critics seemed to relish taking potshots at the movies she appeared in while launching full-blown attacks on …

CREATIVE COLLABORATION: JANE B. PAR AGNÈS V. (1988)

When Jane Birkin (Blow-Up [1966], Wonderwall [1968], La Piscine [1968], Don Juan (or If Don Juan Were a Woman) [1973], Je t’aime moi non plus [1976], Death on the Nile [1978], La Belle Noiseuse [1991])) was getting ready to celebrate her 40th birthday in 1986 she confessed to filmmaker Agnès Varda, that she had reservations about growing older. Varda, who was almost 60-years-old at the time, told Birkin …

Folk Horror & Filmmaking: An Interview with Sean Garland

I recently got the opportunity to ask director Sean Garland (BANSHEE BLACKTOP, AN IRISH GHOST STORY [2016] and NOKOTAHEART [2011]) a few questions about his filmmaking career. He also generously shares some Halloween streaming recommendations for FilmStruck subscribers that should appeal to discerning horror enthusiasts. FILMSTRUCK (KIMBERLY LINDBERGS): Could you tell readers a little bit about …

Orson Welles’s Irish Ghost Story

I love a good ghost story and some of the best ones ever written have come from the hearts and minds of Irish authors but very few of them have been adapted for the screen. Horror movies set in Ireland that feature an Irish cast are a rare commodity, which makes RETURN TO GLENNASCAUL (1953) all the …

JOAN BENNETT: FRITZ LANG’S MUSE

Joan Bennett got her start in Hollywood as a lovely, demure, fair-haired ingénue but made her mark as a sexy, feisty, dark-haired femme fatale. Her transformation was atypical in Tinseltown where many natural brunettes such as Carole Lombard, Lana Turner, Marilyn Monroe, and Jayne Mansfield, found success after becoming bottle blonds. Bennett’s makeover happened during …

ANGRY CINEMA: THE BRITISH NEW WAVE

In the late 1950s, Britain was a country in transition. The destruction caused by two world wars remained evident but the economy was booming and unemployment was at an all-time low. Popular music was bringing diverse groups of individuals together and creating a sense of unity among the youth. Despite the overall prosperity, the stark …

REIMAGINING A CLASSIC: WERNER HERZOG’S NOSFERATU

We live in the age of remakes and prequels. Every month Hollywood rolls out an easily recognizable title that’s been repackaged and recast with a plot that’s all too familiar. The horror and science fiction genre has been hit the hardest by these reimagined movies that all too often fall extremely short of the original …

Surrealist Cinema: PANDORA AND THE FLYING DUTCHMAN (1951)

“There was more surrealism rampant in Hollywood than all the surrealists could invent in a lifetime.” – Man Ray   In 1940, Man Ray fled war-torn France and arrived in Hollywood. The acclaimed surrealist, who was born in the United States but relocated to Paris in 1921, spent the next eleven years in California making …