When I’m feeling low I tend to gravitate towards what I like to call “comfort viewing” and my comfort viewing is classic horror films. During the cold winter months, cozying up on the couch with a warm beverage and a couple of creaky old black and white horror movies can make even the worse week seem manageable. Fortunately, I found exactly what I required streaming … Continue reading A Boris Karloff Double Feature
Like any horror film fan worth their salt and of a certain age, I’ve seen badly beat-up and butchered prints of The Terror on TV and video numerous times. The film suffered the unfortunate fate of falling into the public domain decades ago so it became a staple of late-night television and was repeatedly released as part of cheap video and DVD compilations typically sold … Continue reading Revisiting & Reappraising THE TERROR (1963)
Tod Browning’s DRACULA (1931) is rightly hailed as a horror classic while the Spanish-language version directed by George Melford was assumed lost and went largely unseen by modern audiences following its initial release until it was restored and distributed on home video in 1992. Both films were shot at the same time using the same sets but with different casts, which was a typical practice … Continue reading DRACULA VS. SPANISH DRACULA
Jennifer’s gone missing. She was supposed to be looking after her uncle’s sprawling estate, which appears to have been abandoned since the Great Depression, but no one has seen her in weeks. Did she run off with an unknown lover? Did she swindle an undisclosed sum of money from her previous boss and head to Mexico on a cruise ship? Or was Jennifer murdered by … Continue reading What Ever Happened to Jennifer?
Today Sterling Hayden is best remembered by film lovers for his memorable roles in a number of classic noirs and westerns that air on TCM regularly as well as subsequent standout parts in Kubrick’s DR. STRANGELOVE: OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964), Coppola’s THE GODFATHER (1972) and Altman’s THE LONG GOODBYE (1973). Late in life tall and brawny actor also made a brief but notable appearance in an unusual … Continue reading Pastoral Suspense: DEADLY STRANGERS (1975)
A horror film renaissance is unfolding that’s largely being ignored or has gone unappreciated. While Hollywood continues to pummel us all with over-hyped, self-conscious and all too predictable and derivative movies like CABIN IN THE WOODS, Tim Burton’s recent DARK SHADOWS remake or the ongoing SAW and PARANORMAL ACTIVITY series, independent or smaller budgeted films made in Europe, Britain, Asia and Australia as well as the US are exploring new ground and … Continue reading “It’s my blood. I gave it to you.”
On its fog-shrouded surface, Kevin Billington’s VOICES (1973) is an unusual supernatural thriller involving ghosts and a haunted house but if you take the time to look beyond its spooky exterior you might be surprised by what you find there. This fascinating horror film has a rich and winding history that first took shape in 1953 and its roots are coiled through many horror classics that have … Continue reading “The Voices of Terror – Twisting Two Minds!”
Ray Milland sees dead people. Or to be more precise, Ray Milland begins seeing the ghost of his dead daughter in the made-for-TV movie DAUGHTER OF THE MIND (1969) based on a novel by author Paul Gallico (THE PRIDE OF THE YANKEES; 1942, BITTER VICTORY; 1957, THE SNOW GOOSE; 1971, THE POSEIDON ADVENTURE; 1972) and directed by Walter Grauman. This is one of the first telefilms that premiered on ABC’s Movie of … Continue reading Telefilm Time Machine: Daughter of the Mind (1969)
“Though I wait for thee a thousand years, through waiting will I love thee yet the more. And though I fill an ocean with my tears, my joy will thus be greater than before. And this my prayer for evermore will be, that in the end thou will come back to me.” – from A PLACE OF ONE’S OWN (1945) Autumn has arrived. It’s my favorite time … Continue reading Something Is Always Left Behind: A PLACE OF ONE’S OWN (1945)
In Rod Hardy’s THIRST (1979) we are introduced to Kate (Chantal Contouri), an attractive waif-like young fashion designer with a pet cat and a serious problem. Kate’s the last descendent of Countess Elizabeth Báthory, often cited as history’s first and most prolific female serial killer, and she’s been kidnapped by a group of power-hungry aristocratic vampires known as ‘The Brotherhood.’ This vampiric cult needs her blood … Continue reading Ancient Evil is Now a Modern Industry: THIRST (1979)
