SEDUCED BY PIERRE CLÉMENTI

Listen, Let’s Make Love (Scusi, facciamo l’amore?; 1967) begins with a series of scenic images highlighting the beauty and splendor of Milan, Italy accompanied by one of Ennio Morricone’s most sensual scores. As Edda Dell’Orso seductively moans over the opening credits we’re introduced to Italy’s “moral capital” through the eyes of a young man named Lallo …

The Children Are Watching: Ruminations on The Pumpkin Eater (1964)

The term ‘auteur’ is rarely associated with Jack Clayton. When critics and film scholars refer to the British director by name they usually describe him as being a “talented craftsman” or “skilled technician.” Credit for the extraordinary look and feel of Clayton’s best films is typically attributed to the skilled cinematographers (Freddie Francis, Oswald Morris, …

REIMAGINING A CLASSIC: WERNER HERZOG’S NOSFERATU

We live in the age of remakes and prequels. Every month Hollywood rolls out an easily recognizable title that’s been repackaged and recast with a plot that’s all too familiar. The horror and science fiction genre has been hit the hardest by these reimagined movies that all too often fall extremely short of the original …

Question Authority: The Ruling Class (1972)

If you want a lesson in how awards are inadequate indicators of talent look no further than the case of the late, great Peter O’Toole. Before his death in 2013, O’Toole was nominated for an Oscar 7 times but he lost on every occasion. In 2002, when the British actor was 70-years-old, the Academy of …

DEVIL’S ADVOCATE: ROSEMARY’S BABY (1968)

Rosemary’s Baby (1968), which is streaming on The Criterion Channel at FilmStruck throughout the month of March (2017), is rightly hailed as one of the best American horror films of the 1960s. It begins and ends with a mother’s lullaby but the unsettling story of Rosemary and Guy Woodhouse is anything but soothing. Mia Farrow and John …

Donald Ogden Stewart: Katharine Hepburn’s Secret Weapon in KEEPER OF THE FLAME (1943)

You may not recognize Donald Ogden Stewart’s name but if you are a classic film fan you’re probably familiar with his work. Stewart’s ability to write snappy dialogue and adapt popular plays for the screen made him one of the highest paid screenwriters in Hollywood during the 1930s and 1940s. And throughout his career, Stewart …

Celebrating Dirk Bogarde on His Birthday

Regular readers know that I'm a loud and proud Dirk Bogarde fan and for the last 12-years or so I've written about a number of his films and shared plenty of Bogarde related links and photos here. To celebrate what would have been Bogarde's 97th birthday I decided to compile some links to the things …

Triad Theater: THE MISSION (1999)

Shakespearean in its scope and operatic in its execution, THE MISSION (‘99) remains one of the most taut, compelling and superbly composed films made in Hong Kong during the 1990s. This sinewy thriller helped cement Johnnie To’s reputation as one of today’s most accomplished action directors and you can currently catch it streaming on FilmStruck …

Remembering Oliver Reed @ 80

Today should have been Oliver Reed's 80th birthday but he left this world in 1999 at age 61. To celebrate the occasion I decided to compile a collection of links to various things I've written about the man and his work. Some are just bits and bobs while others are more thoughtful considerations of films …

RECONSTRUCTING FRANKENSTEIN: SPARK OF BEING (2010)

This year marks the 200th anniversary of Mary Shelley’s Frankenstein, which was originally published in 1818. Shelley was just 19 years old when she first conceived of this classic piece of Gothic fiction, and since the book’s release it has been adapted for the large and small screen many times. One of the most unusual …

Surrealist Cinema: PANDORA AND THE FLYING DUTCHMAN (1951)

“There was more surrealism rampant in Hollywood than all the surrealists could invent in a lifetime.” – Man Ray   In 1940, Man Ray fled war-torn France and arrived in Hollywood. The acclaimed surrealist, who was born in the United States but relocated to Paris in 1921, spent the next eleven years in California making …

Reassessing the Critical Response to PEEPING TOM (1960)

When you mention PEEPING TOM (’60) to classic film fans the response is typically “That’s the movie that ended Michael Powell’s career!” and a quick Google search will unearth countless critics and film historians repeating a similar refrain. While it is true that PEEPING TOM received a brutal lashing from the British critical establishment that …