From my latest post at The Movie Morlocks:
One of the most iconic images to emerge from the cinema in the 1960s is the figure of a young Sue Lyon, peering over her sunglasses at a leering James Mason in Stanley Kubrick’s LOLITA (1961). And I’m definitely not alone in my view. The Spanish genre director Eloy de la Iglesia must have agreed with me when he decided to cast Sue Lyon in his intriguing futuristic thriller, MURDER IN A BLUE WORLD (aka CLOCKWORK TERROR; 1973). Eloy de la Iglesia’s film has often been labeled a low-budget and poorly constructed Spanish knock-off of Stanley Kubrick’s A CLOCKWORK ORANGE (1971) and it’s easy to understand why. But its meta-referencing goes way beyond A CLOCKWORK ORANGE and tips its hat in equal measure to Kubrick’s LOLITA. In fact, MURDER IN A BLUE WORLD is really an homage to Kubrick himself and arguably one of the most interesting films released in Spain during the early ‘70s.
If you’d like to read more about Sue Lyon in Eloy de la Iglesia’s MURDER IN A BLUE WORLD please follow the link:
– Reinventing Lolita in MURDER IN A BLUE WORLD (1973) @ TCM’s Classic Movie Blog
I’ve also compiled a Flickr gallery of images from the film that you can find here.