For my fourth installment of Spy Games I decided to highlight the funny Italian spy spoof MATCHLESS (1967) directed by Alberto Lattuada. Criterion’s released a couple of Lattuada’s films including MAFIOSO (1962) and VARIETY LIGHTS (1950), which he co-directed with Fredrico Fellini. But I hadn’t seen any of Lattuada’s other films until I came across his two silly & stylish spy spoofs currently streaming on Netflix… Continue reading »
My latest installment of “Spy Games” is available to read at the Movie Morlocks and this time I’m discussing Mark Robson’s sxy espionage thriller THE PRIZE (1963) starring Paul Newman, Elke Sommer, Edward G. Robinson and Diane Baker. Here’s a little sample from my Morlock post: “THE PRIZE was based on a bestselling novel by … Continue reading »
The second installment of my ongoing Spy Games series is now available at the Movie Morlocks and this time I’m focusing my attention on Frank Pierson’s neglected John le Carre adaption, THE LOOKING GLASS WAR (1969). I first saw THE LOOKING GLASS WAR when I was just a kid. A lot of the film’s more … Continue reading »
I was recently asked to compile a list of my ‘Favorite Older Films Seen in 2011′ for the Rupert Pupkin Speaks blog run by Brian Saur. I was happy to oblige because I saw a lot of great films last year and although I wrote about most of them, there are a few that I … Continue reading »
Stuart Hagmann’s THE STRAWBERRY STATEMENT (1970) is often dismissed today as a dated relic of the early ‘70s. During its initial release it was singled out for being exploitive and failing to be a straightforward adaptation of the book it was based on. Many critics claimed that Stuart Hagmann’s direction was erratic and too creative for its own good, which supposedly diminished the film’s political message. When I recently set aside some time to watch THE STRAWBERRY STATEMENT I prepared myself for the worst. I expected to see a confusing, opportunistic, dated and laughable Hollywood film made to cash in on the political zeitgeist of the late ‘60s and early ‘70s. But I came away from the movie with an entirely different opinion and immediately understood why it had been nominated for a Palme d’Or at Cannes in 1970 and walked away with a Jury Prize. Continue reading »
I recently got the opportunity to discuss the work of British screenwriter and novelist, Alan Sillitoe with members of The Alan Sillitoe Committee, including Alan’s son David. The name might not be familiar to many film fans but Alan Sillitoe is responsible for writing SATURDAY NIGHT AND SUNDAY MORNING (Karel Reisz; 1961) and THE LONELINESS OF THE LONG DISTANCE RUNNER (Tony Richardson; 1962). He gave a voice to Britain’s “angry young men” and helped define a generation. Continue reading »
At the Movie Morlocks this week I took a sneak peek at Severin Films upcoming DVD/Blu-Ray Combo Package for HORROR EXPRESS (1972). This entertaining Spanish/British production directed by Eugino ‘Gene’ Martino is finally getting the red carpet treatment from Severin that it’s long deserved and if you’re a fan of the film you’re going to … Continue reading »
I recently got the chance to review the Warner Archive DVD release of THE LOVE MACHINE (1971) based on Jacqueline “Valley of the Dolls” Susann’s book and naturally I jumped at the opportunity. I’ve mentioned the film at Cinebeats before during my farewell post to John Phillip Law, which was written after he passed away … Continue reading »
As a teenager growing up in the ’80s it was impossible to overlook Derek Jarman’s work. He was all over MTV. He was part of a group of British filmmakers that included Julien Temple and Alex Cox who made music videos or music inspired films that seemed particularly in-sync with their times. Jarman’s work was interesting, experimental and demanding of its audience but I appreciated the challenges he presented. Continue reading »
I promised more Kinski and now I’m delivering… Over at the Movie Morlocks you can find my recent post on Werner Herzog’s 1979 film NOSFERATU THE VAMPYRE. It’s one of my favorite Herzog films and I think it contains one of Klaus Kinski’s most compelling performances. This modern reimagining of F. W. Murnau’s NOSFERATU (1922) … Continue reading »
Today would have been Klaus Kinski’s 85th birthday if he were still alive. I’ve written birthday tributes to Klaus before but today I thought I’d share a little something about one of my favorite Klaus Kinski films, Jess Franco’s remarkable Venus in Furs aka Paroxismus (1969). From the DVD box: “Of all the twisted hits … Continue reading »
If there’s a couple that was more modtastic and appeared in more outstanding horror films & thrillers than the fabulous David Hemmings and the vastly underrated Gayle Hunnicutt, I don’t know who they are. Hemmings and Hunnicutt were married between 1968 and 1975. During that brief period of time they made FRAGMENT OF FEAR (1970) … Continue reading »
STING OF DEATH (1965) tells the strange and tragic story of Igor Egon (John Vella), a horribly disfigured loner who just might be Oliver Reed’s ugly American cousin. Egon works for a scientist (Jack Nagle) in the Florida Everglades who is studying jellyfish, in particular the extremely dangerous Portuguese Man of War. Egon also happens … Continue reading »
Mod Macabre continues over at The Movie Morlocks today where I take a look at Narciso Ibáñez Serrador’s horrific thriller The House That Screamed (1969) featuring a great cast that includes Lilli Palmer, Cristina Galbo, Mary Maude and mod wonder boy, John-Moulder Brown. Here’s a brief description of The House That Screamed from my post: … Continue reading »
Images from A Place of One’s Own (1945) Summer officially makes way for autumn this week and in celebration of my favorite season I decided to write about the classic supernatural thriller A PLACE OF ONE’S OWN (1945) at the Movie Morlocks. This unusual British film was directed by Alfred Hitchcock’s cinematographer Bernard Knowles and … Continue reading »
