Posted in December 2011

Exploring the Warner Archives with Cinebeats

Exploring the Warner Archives with Cinebeats

I’ve been preoccupied with holiday plans and while doing some Christmas shopping for myself I recently noticed that some of the films I’ve written about on Cinebeats over the last 6 years have been released on DVD by the fine folks at the Warner Archives. When I originally wrote about the films they were only available on VHS and the prints were often muddy or just plain awful so these new DVDs are particularly welcome. For easy reference I thought I’d compile a list of Warner Archive titles that have been featured at Cinebeats. Continue reading »

Spencer Tracy & Katharine Hepburn

Spencer Tracy & Katharine Hepburn

Spotted this beautiful old painting of Spencer Tracy & Katharine Hepburn in an antique shop yesterday and was tempted to buy it even though I have nowhere to hang it. Makes me wish I owned my own repertory movie palace where I could display movie memorabilia as spectacular as this.

Ken Russell 1927-2011

Ken Russell 1927-2011

The news about Ken Russell’s death hit me hard. Just last week the great man actually took the time to befriend me on Twitter (I’d been following him there for a year or more). I exchanged a brief note with him and got the opportunity to tell him I was honored that he had taken the time to follow me. And I hope that he knew he was one of my favorite directors. Continue reading »

The Strawberry Statement (1970)

The Strawberry Statement (1970)

Stuart Hagmann’s THE STRAWBERRY STATEMENT (1970) is often dismissed today as a dated relic of the early ‘70s. During its initial release it was singled out for being exploitive and failing to be a straightforward adaptation of the book it was based on. Many critics claimed that Stuart Hagmann’s direction was erratic and too creative for its own good, which supposedly diminished the film’s political message. When I recently set aside some time to watch THE STRAWBERRY STATEMENT I prepared myself for the worst. I expected to see a confusing, opportunistic, dated and laughable Hollywood film made to cash in on the political zeitgeist of the late ‘60s and early ‘70s. But I came away from the movie with an entirely different opinion and immediately understood why it had been nominated for a Palme d’Or at Cannes in 1970 and walked away with a Jury Prize. Continue reading »